Just a short announcement for my new Youtube channel. I decited to share my knowledge about music creation with some instruments and production tips for interested people. But its not about previewing a new or old device rather then showing a way of approching the technology to get certain results.
If you like to support me and donate a small amount so that i have more time to do more tutorials, i created a Patreon page. Through the support you get access to special tracks, samples, videos or songs on the patreon site.
The Berlin based musician Hainbach shows the Folktech Omnichord OM-84 a modded Ominichord. For my taste its more like a usable version of the original and it changed the way you can play it completely.
Matthew Herbert is one of the most controverse composer in „experimental” pop music. He produced i.e. Roisin Murphy or Björk, but he relased by himself records where he for example mangling samples of a new born pig or a sample of a dying chick. Then he suprised with a range of house like dance records. But you always hear in his compositions a research for the way to the exit of listening „standards“. That’s some of the reasons the wrote a manifesto where he is limiting himself to a certain way of working and approaching. In this 50 min interview you can see his struggle between paying the bill and go agaist the corrupt system we live in….
This is less than a 8 bit sound. You can tell it anlogue scatch sequencing.
A polish guy let old computer hardware making its sound and orginized it into an orchestra of printers, harddisc’s and floppies. The “Floppotron“ is driven by a tracker software and it looks like if he find out a way to tune a printer, a scanner and a wall of floppy drives. I wish i could send him a midi file to play my tunes with his orchestra…
The swedish Jules Verne of DIY electro-mechanical instruments did it again and made another instrument, what is based on a kalimba. This time he is playing live as a duo with his selfmade ribbon modular synth. I guess its his own composition. Sounds just gorgeous…
More DIY…Today i show you a way to get an Neumann U87i (not Ai) for under 500 €. The difference between U87i and U87Ai is, that the „i“ got an output transformer what delivers more the vintage slightly compressed sound of an old condenser microphone. I like it very much, because you get on the headphone an instant fitting sound of the singer in the playback.
I made one for myself too and i needed 7h for soldering, measuring and screwing parts together. Unfortunatelly the france DIY page for this microphone is not selling it anymore (http://vintage-mic.com/en/), but you can find the parts on different other DIY sites.
Steve Albini is in the recording „business“ one of the less figures, who stands a bit outside, but is at the same time one of the most influential for modern band recordings. The reason is in my option, that he is a real musician on a constantly experimental way in playing (Shellac, Black Flag…) and recording with the greed to find always fitted ways in sound and band recording. I guess he is famous for his drumsound, but i think it’s far beyond. He is questioning everything and is a very noconformist. This quite philosophic Q&A interview discribed his viewpoints and you hear between the lines the critical aproach he has.